Archetypal literary criticism is a type of critical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, or beginning, and typos, or imprint) in the narrative, symbols, images, and character types in a literary work. As a form of literary criticism, it dates back to 1934 when Maud Bodkin published Archetypal Patterns in Poetry.
Archetypal literary criticism’s origins are rooted in two other academic disciplines, social anthropology and psychoanalysis; each contributed to the literary criticism in separate ways, with the latter being a sub-branch of the critical theory. Archetypal criticism was its most popular in the 1940s and 1950s, largely due to the work of Canadian literary critic Northrop Frye. Though archetypal literary criticism is no longer widely practiced, nor have there been any major developments in the field, it still has a place in the tradition of literary studies.
Read more about Archetypal Literary Criticism: Frye, Theory Critiques, Examples of Archetypes in Literature
Famous quotes containing the words archetypal, literary and/or criticism:
“Now all the knowledge and wisdom that is in creatures, whether angels or men, is nothing else but a participation of that one eternal, immutable and increated wisdom of God, or several signatures of that one archetypal seal, or like so many multiplied reflections of one and the same face, made in several glasses, whereof some are clearer, some obscurer, some standing nearer, some further off.”
—Ralph J. Cudworth (1617–1688)
“There is something about the literary life that repels me, all this desperate building of castles on cobwebs, the long-drawn acrimonious struggle to make something important which we all know will be gone forever in a few years, the miasma of failure which is to me almost as offensive as the cheap gaudiness of popular success.”
—Raymond Chandler (1888–1959)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)