Early Cinema Displays
The first model—the 22-inch Apple Cinema Display—was introduced in September 1999 alongside the Power Mac G4 and used DVI for video input. It was enclosed in a high-density plastic frame with an easel-style stand and had a display resolution of 1600 × 1024. This model was upgraded in July 2000 with the Apple Display Connector (ADC), which ran DVI, USB, and 25V power through a single connector. It was eventually replaced by a 20-inch model on January 28, 2003 that sported a widescreen display with up to 1680 × 1050 resolution.
The 23-inch model, dubbed the "Cinema HD Display", was introduced on March 20, 2002 and supported full 1080p resolution.
On June 28, 2004, Apple introduced a redesigned line of Cinema Displays, along with a new 30-inch model that, like the 23-inch model, carried the "Cinema HD Display" name. The new models had an anodized aluminum enclosure that matched Apple's high-end lines of professional products. An alternative stand or a wall mount could be used with a VESA mount adapter kit that was sold separately. Though the display enclosures had not been redesigned for a long period of time, several "silent" improvements were made to the brightness levels and contrast ratios.
With the introduction of the 24-inch LED Cinema Display in October 2008, the 23-inch Cinema HD Display was discontinued. The 20-inch model was also discontinued in February 2009, leaving the 30-inch display as the only model left.
Read more about this topic: Apple Cinema Display
Famous quotes containing the words early, cinema and/or displays:
“Two sleepy people by dawn’s early light, and two much in love to say goodnight.”
—Frank Loesser (1910–1969)
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)
“The emancipation of today displays itself mainly in cigarettes and shorts. There is even a reaction from the ideal of an intellectual and emancipated womanhood, for which the pioneers toiled and suffered, to be seen in painted lips and nails, and the return of trailing skirts and other absurdities of dress which betoken the slave-woman’s intelligent companionship.”
—Sylvia Pankhurst (1882–1960)