Science Fiction
Locating Science Fiction is arguably Milner’s most important, potentially paradigm-shifting, book. Academic literary criticism had tended to locate science fiction primarily in relation to the older genre of utopia; fan criticism primarily in relation to fantasy and science fiction in other media, especially film and television; popular fiction studies primarily in relation to such contemporary genres as the romance novel and the thriller. Milner’s book relocates science fiction in relation not only to these other genres and media, but also to the historical and geographic contexts of its emergence and development. Locating Science Fiction sought to move science fiction theory and criticism away from the prescriptively abstract dialectics of cognition and estrangement associated with Fredric Jameson and Darko Suvin, and towards an empirically grounded understanding of what is actually a messy amalgam of texts, practices and artefacts. Inspired by Williams, Bourdieu and Franco Moretti’s application of world systems theory to literary studies, it drew on the disciplinary competences of comparative literature, cultural studies, critical theory and sociology to produce a powerfully distinctive mode of analysis, engagement and argument. The concluding chapter is preoccupied with environmentalist thematics occasioned by Milner’s growing interest in Green politics.
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Famous quotes containing the words science and/or fiction:
“There are two kinds of truth; the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art.... Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery.”
—Raymond Chandler (1888–1959)
“For if the proper study of mankind is man, it is evidently more sensible to occupy yourself with the coherent, substantial and significant creatures of fiction than with the irrational and shadowy figures of real life.”
—W. Somerset Maugham (1874–1965)