Painting of Sculpture
By the early 19th century, the systematic excavation of ancient Greek sites had brought forth a plethora of sculptures with traces of notably multicolored surfaces, some of which are still visible. Despite this, influential art historians such as Johann Joachim Winckelmann so strongly opposed the idea of painted Greek sculpture that proponents of painted statues were dismissed as eccentrics, and their views were largely dismissed for several centuries. It was not until published findings by German archaeologist Vinzenz Brinkmann in the late 20th and early 21st century that the painting of ancient Greek sculptures became an established fact. Using high-intensity lamps, ultraviolet light, specially designed cameras, plaster casts, and certain powdered minerals, Brinkmann proved that the entire Parthenon, including the actual structure as well as the statues, had been painted. He was able to reveal the pigments of the original paint and made several painted replicas of Greek statues that went on tour around the world. Also in the collection are replicas of other works of Greek and Roman sculpture, demonstrating that the practice of painting sculpture was the norm rather than the exception in Greek and Roman art. Museums to host the exhibit include the Glyptotek Museum in Munich, the Vatican Museum, and the National Archaeological Museum in Athens, et al. The collection made its American debut at Harvard University in the Fall of 2007.
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Famous quotes containing the words painting of, painting and/or sculpture:
“I dont know but a book in a mans brain is better off than a book bound in calfat any rate it is safer from criticism. And taking a book off the brain, is akin to the ticklish & dangerous business of taking an old painting off a panelyou have to scrape off the whole brain in order to get at it with due safety& even then, the painting may not be worth the trouble.”
—Herman Melville (18191891)
“In Holland, everyone is an expert in painting and in tulips.”
—Albert Camus (19131960)
“Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.”
—Elie Wiesel (b. 1928)