Ancient Greek Painting

Ancient Greek Painting

Ancient art history
series
Middle East
  • Mesopotamia
  • Ancient Egypt
Asia
  • India
  • China
  • Japan
  • Scythia
European prehistory
  • Nuragic
  • Etruscan
  • Celtic
  • Picts
  • Norse
  • Visigothic
Classical art
  • Ancient Greece
  • Hellenistic
  • Rome

The arts of ancient Greece have exercised an enormous influence on the culture of many countries all over the world, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models. In the East, Alexander the Great's conquests initiated several centuries of exchange between Greek, Central Asian and Indian cultures, resulting in Greco-Buddhist art, with ramifications as far as Japan. Following the Renaissance in Europe, the humanist aesthetic and the high technical standards of Greek art inspired generations of European artists. Well into the 19th century, the classical tradition derived from Greece dominated the art of the western world.

In reality, there was a sharp transition from one period to another. Forms of art developed at different speeds in different parts of the Greek world, and as in any age some artists worked in more innovative styles than others. Strong local traditions, conservative in character, and the requirements of local cults, enable historians to locate the origins even of displaced works of art.

Read more about Ancient Greek Painting:  Pottery, Metal Vessels, Monumental Sculpture, Architecture, Coin Design, Painting

Famous quotes containing the words ancient, greek and/or painting:

    All good fortune is a gift of the gods, and ... you don’t win the favor of the ancient gods by being good, but by being bold.
    Anita Brookner (b. 1938)

    I lately met with an old volume from a London bookshop, containing the Greek Minor Poets, and it was a pleasure to read once more only the words Orpheus, Linus, Musæus,—those faint poetic sounds and echoes of a name, dying away on the ears of us modern men; and those hardly more substantial sounds, Mimnermus, Ibycus, Alcæus, Stesichorus, Menander. They lived not in vain. We can converse with these bodiless fames without reserve or personality.
    Henry David Thoreau (1817–1862)

    When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can.
    —D.H. (David Herbert)