Anagnorisis ( /ˌænəɡˈnɒrɨsɨs/; Ancient Greek: ἀναγνώρισις) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. It was the hero's sudden awareness of a real situation, the realisation of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy.

Read more about AnagnorisisTragedy, Comedy, Mystery

Other articles related to "anagnorisis":

Anagnorisis - Mystery
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Anagnorisis (Sariola)
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Peripeteia - Aristotle's View
... is normally distinguished from peripeteia as anagnorisis or discovery, a distinction derived from Aristotle's work ... Aristotle considered anagnorisis, leading to peripeteia, the mark of a superior tragedy ... he considered complex and superior to simple plots without anagnorisis or peripeteia, such as when Medea resolves to kill her children, knowing they are her children, and does so ...