Criticism
Several reviews criticized the film on scientific and political grounds. Journalist Ronald Bailey argued in the libertarian magazine Reason that although "Gore gets more right than wrong," he exaggerates the risks. Global warming skeptics were vocally critical of the film, such as MIT physicist Richard S. Lindzen, who wrote in a June 26, 2006 op-ed in the Wall Street Journal that Gore was using a biased presentation to exploit the fears of the public for his own political gain. Conservative political activist Christopher Monckton blogged what he describes is a point-by-point refutation of the documentary.
Some reviewers were also skeptical of Gore's intent, wondering whether he was setting himself for another Presidential run. Boston Globe writer Peter Canello criticized the "gauzy biographical material that seems to have been culled from old Gore campaign commercials." Phil Hall of Film Threat gave the film a negative review, saying "An Inconvenient Truth is something you rarely see in movies today: a blatant intellectual fraud." Conservative commentator Glenn Beck aired a one-hour special, Exposed: Climate of Fear, as a counterpoint to Gore's film with viewpoints of scientists opposing the mainstream scientific assessment of global warming.
Read more about this topic: An Inconvenient Truth
Famous quotes containing the word criticism:
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.”
—John Vorster (1915–1983)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)