The Current State of Alternative Culture
Due to subcultures of this nature being in a constant change, they often splinter off into niche groups. They often develop an "old school" crowd who tend to resist "polluting" elements and carry on as before until inevitably evolving themselves. An example is the UK's rave scene, which suffered very badly from tough legislation aimed at it in the mid 1990s (Criminal Justice and Public Order Act 1994), leading to its discreet continuance on a smaller scale, before manifesting itself again on the large scale in the form of the teknival, which retains many of the principles of the original acid house culture.
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“If the current is right, one can drift to success.”
—Mason Cooley (b. 1927)
“The classicist, and the naturalist who has much in common with him, refuse to see in the highest works of art anything but the exercise of judgement, sensibility, and skill. The romanticist cannot be satisfied with such a normal standard; for him art is essentially irrational—an experience beyond normality, sometimes destructive of normality, and at the very least evocative of that state of wonder which is the state of mind induced by the immediately inexplicable.”
—Sir Herbert Read (1893–1968)
“Our mother gives us our earliest lessons in love—and its partner, hate. Our father—our “second other”Melaborates on them. Offering us an alternative to the mother-baby relationship . . . presenting a masculine model which can supplement and contrast with the feminine. And providing us with further and perhaps quite different meanings of lovable and loving and being loved.”
—Judith Viorst (20th century)
“The time will come when the evil forms we have known can no more be organized. Man’s culture can spare nothing, wants all material. He is to convert all impediments into instruments, all enemies into power.”
—Ralph Waldo Emerson (1803–1882)