Film Appearances
| Year | Movie title | Role | Director | Notes |
|---|---|---|---|---|
| 1934 | George White's Scandals | Kitty Donnelly/Mona Vale | George White | Film debut |
| 1934 | Now I'll Tell | Peggy Warren | Edwin J. Burke | |
| 1934 | She Learned About Sailors | Jean Legoi | George Marshall | |
| 1934 | 365 Nights in Hollywood | Alice Perkins | George Marshall | |
| 1935 | George White's 1935 Scandals | Honey Walters | George White | Follow-uo to 1934's George White's Scandals |
| 1935 | Every Night at Eight | Dixie Foley/Dixie Dean | Raoul Walsh | |
| 1935 | Music Is Magic | Peggy Harper | George Marshall | |
| 1936 | King of Burlesque | Pat Doran | Sidney Lanfield | |
| 1936 | Poor Little Rich Girl | Jerry Dolan | Irving Cummings | Co-starred Shirley Temple |
| 1936 | Sing, Baby, Sing | Joan Warren | Sidney Lanfield | |
| 1936 | Stowaway | Susan Parker | William A. Seiter | Co-starred Shirley Temple |
| 1937 | In Old Chicago | Belle Fawcett | Henry King | Known as her best acting performance |
| 1937 | On the Avenue | Mona Merrick | Roy Del Ruth | |
| 1937 | You Can't Have Everything | Judith Poe Wells | Norman Taurog | |
| 1937 | Wake Up and Live | Alice Huntley | Sidney Lanfield | |
| 1937 | You're a Sweetheart | Betty Bradley | David Butler | |
| 1938 | Sally, Irene and Mary | Sally Day | William A. Seiter | Remake of 1925 film of the same name |
| 1938 | Alexander's Ragtime Band | Stella Kirby | Henry King | Her most successful musical genre film so far |
| 1939 | Tail Spin | Trixie Lee | Roy Del Ruth | |
| 1939 | Rose of Washington Square | Rose Sargent | Gregory Ratoff | |
| 1939 | Hollywood Cavalcade | Molly Adair Hayden | Irving Cummings | |
| 1939 | Barricade | Emmy Jordan | Gregory Ratoff | |
| 1940 | Little Old New York | Pat O'Day | Henry King | |
| 1940 | Lillian Russell | Lillian Russell | Irving Cummings | Faye named the film as one of her personal favorites |
| 1940 | Tin Pan Alley | Katie Blane | Walter Lang | Co-starred newcomer Betty Grable |
| 1941 | That Night in Rio | Baroness Cecilia Duarte | Irving Cummings | Her last major film success |
| 1941 | The Great American Broadcast | Vicki Adams | Archie Mayo | |
| 1941 | Week-End in Havana | Miss Nan Spencer | Walter Lang | |
| 1943 | Hello, Frisco, Hello | Trudy Evans | H. Bruce Humberstone | Reamke of Faye's earlier film King of Burlesque |
| 1943 | The Gang's All Here | Edie Allen | Busby Berkley | |
| 1944 | Four Jills in a Jeep | Herself | William A. Seiter | Cameo appearance |
| 1945 | Fallen Angel | June Mills | Otto Preminger | Her last film as a major Hollywood star |
| 1962 | State Fair | Mrs. Melissa Frake | José Ferrer | Her "come-back" film |
| 1976 | Won Ton Ton, the Dog Who Saved Hollywood | Secretary at Gate | Michael Winner | Cameo appearance |
| 1978 | Every Girl Should Have One | Kathy | Robert Hyatt | |
| 1978 | The Magic of Lassie | The Waitress ("Alice") | Don Chaffey | Final film appearance |
Read more about this topic: Alice Faye
Famous quotes containing the words film and/or appearances:
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)
“What I often forget about students, especially undergraduates, is that surface appearances are misleading. Most of them are at base as conventional as Presbyterian deacons.”
—Muriel Beadle (b. 1915)