Work
Norman is known for publishing major work on Protozoa, Porifera, Coelenterata, mollusca, crustacea, echinodermata, and other invertebrates. The publication Museum Normanianum summarised his collection of 11,086 species, which was acquired by the Natural History Museum, London. They were purchased in four instalments between 1898 and 1911 by the Museum. Norman also presented many specimens to the Museum.
Norman published in excess of 200 papers. His early papers were on birds, insects, amphibians and fishes. Between 1857 and 1861, he published major work on molluscs of the Firth of Clyde and, between 1890 and 1899, he published important reviews of the Mollusca. His account in 1865 on some groups of British echinoderms was the first major contribution to these groups since Edward Forbes’ British Starfishes of 1841.
In his later years, Norman published mainly about studies of marine and freshwater invertebrates. He published important studies on several groups of crustaceans, some in collaboration with other naturalists.
Norman’s library, which incorporated John Gwyn Jeffreys' library on molluscs, is now in the Department of Zoology, University of Cambridge.
Read more about this topic: Alfred Merle Norman
Famous quotes containing the word work:
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)
“Nothing is so threatening to conventional values as a man who does not want to work or does not want to work at a challenging job, and most people are disturbed if a man in a well- paying job indicates ambivalence or dislike toward it.”
—Alice S. Rossi (b. 1922)
“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (1887–1968)