Work
Norman is known for publishing major work on Protozoa, Porifera, Coelenterata, mollusca, crustacea, echinodermata, and other invertebrates. The publication Museum Normanianum summarised his collection of 11,086 species, which was acquired by the Natural History Museum, London. They were purchased in four instalments between 1898 and 1911 by the Museum. Norman also presented many specimens to the Museum.
Norman published in excess of 200 papers. His early papers were on birds, insects, amphibians and fishes. Between 1857 and 1861, he published major work on molluscs of the Firth of Clyde and, between 1890 and 1899, he published important reviews of the Mollusca. His account in 1865 on some groups of British echinoderms was the first major contribution to these groups since Edward Forbes’ British Starfishes of 1841.
In his later years, Norman published mainly about studies of marine and freshwater invertebrates. He published important studies on several groups of crustaceans, some in collaboration with other naturalists.
Norman’s library, which incorporated John Gwyn Jeffreys' library on molluscs, is now in the Department of Zoology, University of Cambridge.
Read more about this topic: Alfred Merle Norman
Famous quotes containing the word work:
“I move my thin legs into your office
and we work over the cadaver of my soul.
We make a stage set out of my past
and stuff painted puppets into it.”
—Anne Sexton (19281974)
“Since ... six weeks ago, there has been no day in which I have not had letters and visits on the subject of my nomination for the Presidency.... I say very little. I have in no instance encouraged any one to work to that end.... I have said the whole talk about me is on the score of availability. Let availability do the work then.”
—Rutherford Birchard Hayes (18221893)
“The real risks for any artist are taken ... in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over itwhen they endanger the artist by reason of what he has, or has not, artistically dared.”
—Salman Rushdie (b. 1947)