Poetic Structure and Tone
The poem consists of eight lines, in two quatrains.
The metre is largely one of anapaestic trimeter with an admix of initial iambs and trochees to break up the rather monotonous rhythm that the anapaestic line confers. Thus Blake is able to show the cyclical monotony that the protagonists are suffering, while at the same time giving a forward note of impetus and hope to the movement of the lines.
The rhyme scheme is ABAB, CDCD, with two "feminine" endings at lines five and seven, perhaps suggestive of weak outlook or expectation.
The ambiguous use of the word "Ah," and the repetition of the word "where" are noteworthy - these are discussed by Grant; the disturbance of the anapaestic rhythm in line three by Edwards.
"The speaker begins with a sigh that suggests the same weariness that he attributes to the Sunflower (a suggestion emphasized by the heavy stresses in the song). The wistful tone and the implied sympathy for the time-bound victims are disarming. But, as many critics have noted, the poem is not without irony...the sense of timeless rest is soon complicated by the ambiguous syntax."Indeed, Bloom goes so far as to say that "the lyric's tone can be characterized as a kind of apocalyptic sardonicism."
Read more about this topic: Ah! Sunflower
Famous quotes containing the words poetic, structure and/or tone:
“His mind was strong and clear, his will was unwavering, his convictions were uncompromising, his imagination was powerful enough to invest all plans of national policy with a poetic charm.”
—Woodrow Wilson (1856–1924)
“I’m a Sunday School teacher, and I’ve always known that the structure of law is founded on the Christian ethic that you shall love the Lord your God and your neighbor as yourself—a very high and perfect standard. We all know the fallibility of man, and the contentions in society, as described by Reinhold Niebuhr and many others, don’t permit us to achieve perfection.”
—Jimmy Carter (James Earl Carter, Jr.)
“There was about all the Romans a heroic tone peculiar to ancient life. Their virtues were great and noble, and these virtues made them great and noble. They possessed a natural majesty that was not put on and taken off at pleasure, as was that of certain eastern monarchs when they put on or took off their garments of Tyrian dye. It is hoped that this is not wholly lost from the world, although the sense of earthly vanity inculcated by Christianity may have swallowed it up in humility.”
—Herman Melville (1819–1891)