Aerial Silk - Tricks

Tricks

The three main categories of tricks are climbs, wraps and drops. Climbs employed by aerialists range from purely practical and efficient, such as the French climb, to athletic and elegant tricks of their own, such as the straddle climb. Wraps are static poses where aerialists wrap the silks around one or more parts of their body. In general, the more complicated the wrap, the stronger the force of friction and the less effort required to hold oneself up. Some wraps, such as the straddle-back-balance, actually allow performers to completely release their hands. Foot locks are a sub-category of wraps where the silks are wrapped around one or both feet. In a drop, performers wrap themselves up high on the silks before falling to a lower position. Drops can combine aspects of free fall, rolling or otherwise rotating oneself before landing in a new pose. Preparation for a drop can make for a pretty wrap, but the ultimate goal is the fall rather than the pose. Of the three trick types, drops require the most strength, and are also the most potentially dangerous. Rosin (dry or mixed with rubbing alcohol) is employed to help performers maintain their grip. Aerial silks are an incredibly demanding art and require a high degree of strength, power, flexibility, courage, and grace to practice.

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Famous quotes containing the word tricks:

    The tragic hero prefers death to prudence. The comedian prefers playing tricks to winning. Only the villain really plays to win.
    Mason Cooley (b. 1927)

    Man, proud man,
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    Most ignorant of what he’s most assur’d,
    His glassy essence, like an angry ape,
    Plays such fantastic tricks before high heaven,
    As make the angels weep.
    William Shakespeare (1564–1616)

    English general and singular terms, identity, quantification, and the whole bag of ontological tricks may be correlated with elements of the native language in any of various mutually incompatible ways, each compatible with all possible linguistic data, and none preferable to another save as favored by a rationalization of the native language that is simple and natural to us.
    Willard Van Orman Quine (b. 1908)