Tricks
The three main categories of tricks are climbs, wraps and drops. Climbs employed by aerialists range from purely practical and efficient, such as the French climb, to athletic and elegant tricks of their own, such as the straddle climb. Wraps are static poses where aerialists wrap the silks around one or more parts of their body. In general, the more complicated the wrap, the stronger the force of friction and the less effort required to hold oneself up. Some wraps, such as the straddle-back-balance, actually allow performers to completely release their hands. Foot locks are a sub-category of wraps where the silks are wrapped around one or both feet. In a drop, performers wrap themselves up high on the silks before falling to a lower position. Drops can combine aspects of free fall, rolling or otherwise rotating oneself before landing in a new pose. Preparation for a drop can make for a pretty wrap, but the ultimate goal is the fall rather than the pose. Of the three trick types, drops require the most strength, and are also the most potentially dangerous. Rosin (dry or mixed with rubbing alcohol) is employed to help performers maintain their grip. Aerial silks are an incredibly demanding art and require a high degree of strength, power, flexibility, courage, and grace to practice.
Read more about this topic: Aerial Silk
Famous quotes containing the word tricks:
“Such tricks hath strong imagination
That, if it would but apprehend some joy,
It comprehends some bringer of that joy;
Or in the night, imagining some fear,
How easy is a bush supposed a bear?”
—William Shakespeare (15641616)
“Which I wish to remark
And my language is plain
That for ways that are dark
And for tricks that are vain,
The heathen Chinee is peculiar:
Which the same I would rise to explain.”
—Bret Harte (18361902)
“The sumptuous age of stars and images is reduced to a few artificial tornado effects, pathetic fake buildings, and childish tricks which the crowd pretends to be taken in by to avoid feeling too disappointed. Ghost towns, ghost people. The whole place has the same air of obsolescence about it as Sunset or Hollywood Boulevard.”
—Jean Baudrillard (b. 1929)