Popular Culture References
Captain Murphy, a character from the animated television series Sealab 2021, has an obsession with Barbeau and mentions her in several episodes. In the episode "I Robot" he ponders becoming an "Adrienne Barbeaubot" with laser beam eyes and "D-Cups Full of Justice." In the episode "I Robot Really" Captain Murphy succeeds in having his brain placed inside a robot body which he calls The Barbeau-bot. The Barbeau-bot not only has "D-Cups of Justice" but also chainsaw hands with laser targeting. Barbeau was mentioned in Adult Swim cartoons by the same people as far back as Space Ghost Coast to Coast episode 32.
Also, an episode of Sabrina, the Teenage Witch (Season 6, episode 5) includes a storyline in which Miles is obsessed with Adrienne Barbeau. He buys a cardboard cut-out of her, and she guest stars at the end of the episode. Upon meeting her, Sabrina compliments Barbeau for her performance as Senator Cretak in the aforementioned Star Trek episode.
In the Mystery Science Theater 3000 episode featuring the movie "The Thing That Couldn't Die" Mike Nelson is being sent people he's thinking of by a race of omnipotent beings in one of the "host segments." The person appears and begins to beat up Mike in a manner similar to Finnegan in the classic Star Trek episode "Shore Leave". Mike thinks of Adrienne Barbeau at the insistence of one of his robot companions. Adrienne is played by Mike Nelson's real-life wife Bridget Jones Nelson.
Read more about this topic: Adrienne Barbeau
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)
“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)