Action Film

Action film is a film genre where one or more heroes is thrust into a series of challenges that require physical feats, extended fights and frenetic chases. They tend to feature a resourceful character struggling against incredible odds, which may involve life-threatening situations, an evil villain, and/or being pursued, with victory achieved at the end after difficult physical efforts and violence. Story and character development are generally secondary to explosions, fist fights, gunplay and car chases.

While action films have traditionally been a reliable source of revenue for movie studios, relatively few action films garner critical praise, mainly because of their two-dimensional heroes or villains. Nevertheless, Hollywood has been making more action films than ever, in part because advancements in CGI have made it cheaper and easier to create action sequences and other visual effects that required professional stunt crews and dangerous staging in the past. However, audience reactions to action films containing significant amounts of CGI have been mixed, and films where computer animation is not believable are often met with criticism.

While action has long been an element of films, the "action film" genre began to develop in the 1970s. The genre is closely linked with the thriller and adventure film genres, and it may sometimes have elements of spy fiction and espionage.

Read more about Action Film:  Hong Kong Action Cinema, Sub-genres

Famous quotes containing the words action and/or film:

    When action grows unprofitable, gather information; when information grows unprofitable, sleep.
    Ursula K. Le Guin (b. 1929)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)