Above (artist) - Gallery

Gallery

  • Above's arrow icon painted on 2 vans. Paris, 2002

  • 'ABOVE' graffiti painting in Vienna, Austria. 2005.

  • A word play painting from Above that reads "trying 2 put 2 and 2, 2gether." San Jose, Costa Rica 2008

  • Above's non-profit fundraiser poster titled "HOMELESS, NOT HOPELESS" where Above worked with the homeless population in Portland, Oregon. Above sold out every print and donated 100% of all the profits to a homeless shelter in Portland, U.S.A.

  • "Bridge the divide" a site specific stencil/installation on the Berlin Wall. Berlin, Germany. 2009

  • An example of the celebrity arrow mobiles hung in Hollywood, Los Angeles during his 'mash up tour' July, 2010

  • A wooden arrow placed between 2 cameras and their blind spot. Paris, France, 2010

  • James Dean wooden arrow collage part of Above's solo show in Sydney, Australia. 2011

  • Notorious B.I.G. wooden arrow collage part of Above's solo show in Sydney, Australia. 2011

  • "It takes 2 to tango" Above incorporated the human form in place of the letter 't' for this wordplay. Miami, U.S.A. 2011

  • A large figurative painting Above painted in Miami for Art Basel, 2011

Read more about this topic:  Above (artist)

Famous quotes containing the word gallery:

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)