A Year in Upper Felicity

A Year In Upper Felicity: Life in a Chinese Village During the Cultural Revolution is a book written and illustrated by journalist and author Jack Chen. Published in May 1973, the book chronicles a year spent in a rural Chinese village (Upper Felicity) during the Cultural Revolution. It was based upon the author's stay in the village during 1969-1970. A Year in Upper Felicity is not a work of fiction as the original entry erroneously stated.

The book is organized around the four seasons. It describes the day-to-day life of rural Chinese peasants, and how city dwellers (such as the author) were sent to live and work with peasants to further the supposed imminent socialist revolution that dominated Chinese politics in the 1960s.

Jack Chen has written a number of other books about life in China, including:

  • Chen, Jack (1957). New earth. Southern Illinois University Press. – "Until now, very little firsthand informa­tion about Communist China has been available in this country. Of extraordinary importance, therefore, is this story of an early collective farm in East China’s Chekiang Province in the 1949–56 period."
  • Chen, Jack (1975). Inside the cultural revolution. Macmillan. – "Here he gives a favorable recapitulation of the Cultural Revolution, written in a mixture of dry academese and Maoist jargon."
  • Chen, Jack (1990). The Chinese of America. Harper & Row. – "Examines the events that led to the Tian'anmen Square massacre, discusses religious freedom in China, and speculates on whether a Chinese democracy could survive."

Famous quotes containing the words year, upper and/or felicity:

    “The rarest of all things in American life is charm. We spend billions every year manufacturing fake charm that goes under the heading of “public relations.” Without it, America would be grim indeed.”
    —Anita Loos (1888–1981)

    “If the upper beams are not straight, the lower beams will be crooked.”
    —Chinese proverb.

    “[The pleasures of writing] correspond exactly to the pleasures of reading, the bliss, the felicity of a phrase is shared by writer and reader: by the satisfied writer and the grateful reader, or—which is the same thing—by the artist grateful to the unknown force in his mind that has suggested a combination of images and by the artistic reader whom his combination satisfies.”
    —Vladimir Nabokov (1899–1977)