A Woman Under The Influence - Critical Reception

Critical Reception

A Woman Under the Influence has an overall approval rating of 94% on Rotten Tomatoes.

Nora Sayre of the New York Times observed, "Miss Rowlands unleashes an extraordinary characterization . . . The actresses' style of performing sometimes shows a kinship with that of the early Kim Stanley or the recent Joanne Woodward, but the notes of desperation are emphatically her own . . . Peter Falk gives a rousing performance . . . and the children are very well directed. But the movie didn't need to be 2 hours and 35 minutes long: there's too much small talk, which doesn't really reveal character. Still, the most frightening scenes are extremely compelling, and this is a thoughtful film that does prompt serious discussion."

Roger Ebert of the Chicago Sun-Times rated the film four out of four stars and called it "terribly complicated, involved and fascinating - a revelation." He added, "The characters are larger than life (although not less convincing because of that), and their loves and rages, their fights and moments of tenderness, exist at exhausting levels of emotion . . . Cassavetes is strongest as a writer and filmmaker at creating specific characters and then sticking with them through long, painful, uncompromising scenes until we know them well enough to read them, to predict what they'll do next and even to begin to understand why." Almost a quarter-century later, Ebert wrote a second review, in which he called Woman Under the Influence "perhaps the greatest of Cassavetes' films."

Time Out London said, "The brilliance of the film lies in its sympathetic and humorous exposure of social structure. Rowlands unfortunately overdoes the manic psychosis at times, and lapses into a melodramatic style which is unconvincing and unsympathetic; but Falk is persuasively insane as the husband; and the result is an astonishing, compulsive film, directed with a crackling energy."

TV Guide rated the film four out of four stars, calling it "tough-minded" and "moving" and "an insightful essay on sexual politics."