Place Realism
Brome's plays regularly participate in the trend toward "place realism" that was fashionable in the drama of the 1630s; his The Sparagus Garden, The Weeding of Covent Garden, and The New Academy refer to actual, socially significant locations in contemporary London, as do other plays of the period like Shirley's Hyde Park (1632) and Nabbes's Covent Garden (1633) and Tottenham Court (1634). A Mad Couple shows this same tendency toward place realism: in Act II, the protagonist Careless says,
- "I need no more insconsing in Ram Alley, nor the sanctuary of Whitefriars, the forts of Fullers Rents and Milford Lane, whose walls are daily batter'd with the curses of bawling creditors."
All of these were locations in the London of Brome's day: Fuller's or Fulwood's Rents and the others were places where debtors could find sanctuary from creditors and bailiffs and the threat of debtor's prison.
Read more about this topic: A Mad Couple Well-Match'd
Famous quotes containing the words place and/or realism:
“I maintain that I have been a Negro three times—a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!”
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“I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.”
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