A Love Supreme - Music

Music

The album is a four-part suite, broken up into tracks: "Acknowledgement" (which contains the mantra that gave the suite its name), "Resolution", "Pursuance", and "Psalm." It is intended to be a spiritual album, broadly representative of a personal struggle for purity, and expresses the artist's deep gratitude as he admits to his talent and instrument as being owned not by him but by a spiritual higher power.

The album begins with the bang of a gong (tam-tam), followed by cymbal washes. Jimmy Garrison follows on bass with the four-note motif which structures the entire movement. Coltrane's solo follows. Besides soloing upon variations of the motif, at one point Coltrane repeats the four notes over and over in different modulations. After many repetitions, the motif becomes the vocal chant "A Love Supreme", sung by Coltrane (accompanying himself via overdubs).

In the final movement, Coltrane performs what he calls a "musical narration" (Lewis Porter describes it as a "wordless 'recitation'") of a devotional poem he included in the liner notes. That is, Coltrane "plays" the words of the poem on saxophone, but does not actually speak them. Some scholars have suggested that this performance is a homage to the sermons of African-American preachers. The poem (and, in his own way, Coltrane's solo) ends with the cry "Elation. Elegance. Exaltation. All from God. Thank you God. Amen."

Read more about this topic:  A Love Supreme

Famous quotes containing the word music:

    There was never yet such a storm but it was Æolian music to a healthy and innocent ear.
    Henry David Thoreau (1817–1862)

    Let us describe the education of our men.... What then is the education to be? Perhaps we could hardly find a better than that which the experience of the past has already discovered, which consists, I believe, in gymnastic, for the body, and music for the mind.
    Plato (c. 427–347 B.C.)

    Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.
    Thomas Beecham (1879–1961)