Alleged Convertible Prototype
A convertible Tucker, alleged to be a partially completed prototype developed in the company's waning days, was completed by car collector Justin Cole of Benchmark Classics in Madison, Wisconsin. There is considerable debate as to the car's authenticity as a convertible and no documentation has ever been provided to show the Tucker Corporation ever built a convertible prototype. The restorers proved unable to document the supposed convertible prototype's provenance and the Tucker Automobile Club of America stated it had been provided with no proof of its authenticity and was unable to verify it as such. Tremulis denied there was ever a factory convertible project, official or otherwise, but did state he had been working on body #57 when the plant shut down and said specifically, "we were changing the rear window to a full wrap around and had already started cutting the opening for the (1949 model year) re-style job". Tucker #57 was the only 1949 model produced, as referenced in the Tremulis records, with the rear window styling change. All the other Tuckers were 1948 models including the Tin Goose. " The convertible part, whether it happened at the factory or after factory closed is still in dispute.
The convertible was part of a Russo and Steele auction, January 20–24, 2010. Bidding climbed to $1.5 million, but never reached the sellers reserve.
Read more about this topic: 1948 Tucker Sedan
Famous quotes containing the words alleged, convertible and/or prototype:
“The entire construct of the “medical model” of “mental illness”Mwhat is it but an analogy? Between physical medicine and psychiatry: the mind is said to be subject to disease in the same manner as the body. But whereas in physical medicine there are verifiable physiological proofs—in damaged or affected tissue, bacteria, inflammation, cellular irregularity—in mental illness alleged socially unacceptable behavior is taken as a symptom, even as proof, of pathology.”
—Kate Millett (b. 1934)
“Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.”
—Ralph Waldo Emerson (1803–1882)
“The Ancient Mariner seizes the guest at the wedding feast and will not let go until he has told all his story: the prototype of the bore.”
—Mason Cooley (b. 1927)