1946 in Film - Animated Short Film Series

Animated Short Film Series

  • Mickey Mouse (1928–1952)
  • Looney Tunes (1930–1969)
  • Terrytoons (1930–1964)
  • Merrie Melodies (1931–1969)
  • Popeye (1933–1957)
  • Color Rhapsodies (1934–1949)
  • Donald Duck (1936–1956)
  • Pluto (1937–1951)
  • Andy Panda (1939–1949)
  • Goofy (1939–1953)
  • Bugs Bunny (1940–1962)
  • Tom and Jerry (1940-1958)
  • The Fox and the Crow (1941–1950)
  • Woody Woodpecker (1941–1949)
  • Mighty Mouse (1942–1955)
  • Droopy (1943–1958)
  • Chip and Dale (1943–1956)
  • Screwball Squirrel (1943-1946)
  • Yosemite Sam (1945–1963)
  • George and Junior (1946-1948)

Read more about this topic:  1946 In Film

Famous quotes containing the words animated, short, film and/or series:

    Uncle Ben’s brass bullet-mould
    And powder horn, and Major Bogan’s face
    Above the fire, in the half-light, plainly said
    There’s naught to kill but the animated dead;
    Allen Tate (1899–1979)

    I cannot be a materialist—but Oh, how is it possible that a God who speaks to all hearts can let Belgravia go laughing to a vicious luxury, and Whitechapel cursing to a filthy debauchery—such suffering, such dreadful suffering—and shall the short years of Christ’s mission atone for it all?
    —D.H. (David Herbert)

    All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.
    Doris Lessing (b. 1919)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)