Zorro (musical) - Principal Characters and Original Cast

Principal Characters and Original Cast

  • Don Diego de la Vega/Zorro – Matt Rawle. He is the son of Don Alejandro, who initially heads the pueblo. He adopts a heroic alter ego to save the people of the pueblo who are being punished under Ramon's cruel leadership.
  • Luisa – Emma Williams. Luisa grows up with Diego and Ramon. She falls in love first with Diego and then Zorro, not knowing his true identity.
  • Ramon – Adam Levy. Diego's childhood friend. Ramon is jealous of the feelings Luisa has for Diego. He is made captain of the army and seizes power.
  • Inez – Lesli Margherita. The gypsy queen, Inez travels around the backstreets of Barcelona performing with Diego, with whom she falls in love.
  • Sergeant Garcia – Nick Cavaliere. Servant to Ramon, he is cowardly, yet likable. He falls in love with Inez.
  • Don Alejandro de la Vega – Jonathan Newth. He is Diego's father, and the rightful leader of the Pueblo.

Read more about this topic:  Zorro (musical)

Famous quotes containing the words principal, characters, original and/or cast:

    For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.
    Joyce Cary (1888–1957)

    Waxed-fleshed out-patients
    Still vague from accidents,
    And characters in long coats
    Deep in the litter-baskets
    All dodging the toad work
    By being stupid or weak.
    Philip Larkin (1922–1986)

    In the end, for congenial sympathy, for poetry, for work, for original feeling and expression, for perfect companionship with one’s friends—give me the country.
    —D.H. (David Herbert)

    Sometimes, because of its immediacy, television produces a kind of electronic parable. Berlin, for instance, on the day the Wall was opened. Rostropovich was playing his cello by the Wall that no longer cast a shadow, and a million East Berliners were thronging to the West to shop with an allowance given them by West German banks! At that moment the whole world saw how materialism had lost its awesome historic power and become a shopping list.
    John Berger (b. 1926)