Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| allmusic | |
| Robert Christgau | |
Zoot Suit Riot was met with mixed reviews from professional critics. Of the positive reviews, The Los Angeles Times, comparing albums by the most popular artists of the swing revival, chose the Daddies as having "the most effective music for the dance fad of the moment", citing the band's "suggestive lyrics and occasionally interesting musical textures" as their most distinguishing quality. The New York Times described the Daddies as "one of the few neo-swing bands that can win over a skeptic with their rhythm section", noting Perry's lyricism as having "an inventiveness missing from most of the other swing bands' lyrics".
On the negative end of the critical spectrum, Stephen Thomas Erlewine of Allmusic gave the album a rating of 2.5 out of 5 stars, noting that while the band pulled off "reasonably infectious" tunes, the modernist lyrics had lent Zoot Suit Riot a "condescending Gen-X attitude, as well as a lack of understanding about what made swing fun", writing the album off as a "smirking hipster joke, only without any humor and very little music". Jazz critic Scott Yanow, in his 2000 book Swing!, labeled the Daddies as the perfect "whipping boy for the Retro Swing movement", noting "The Daddies sound as if they are a punk rock band who has chosen to masquerade as swing...the rhythm section has difficulty swinging, the vocals are often profane...the music, although excitable in spots, usually comes dangerously close to camp".
Read more about this topic: Zoot Suit Riot (album)
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