Career
On stage Tapper has appeared in Epitaph for George Dillon in the West End, and Othello at Shakespeare's Globe.
Following her film debut in Stage Beauty, Tapper played Gwendolyn in Mrs. Palfrey at the Claremont (2005), alongside Joan Plowright, and Diana Shaw in These Foolish Things (2006), alongside Anjelica Huston.
Her television credits include Mary Collins in A Harlot's Progress for Channel 4, Jane in Oliver Parker's The Private Life of Samuel Pepys, Gemma in the first series of the Sky One drama Hex and Jenny Maple in the BBC miniseries 20,000 Streets Under the Sky. She also played Hermia in ShakespeaRe-Told: A Midsummer Night's Dream, the 2005 BBC adaptation/modernisation of Shakespeare's play of the same name.
In 2008 Tapper portrayed Sheila Steafel in the BBC television play The Curse of Steptoe and Anya Raczynski in the BBC remake of Survivors, alongside Max Beesley, Paterson Joseph and Julie Graham. She also played Selina Dawes in the ITV adaptation of the novel Affinity, opposite Anna Madeley as Margaret Prior. It premiered at the Miami Gay & Lesbian Film Festival, and in the UK on 28 December 2008 on ITV.
In 2009 Tapper appeared in the ITV fantasy drama series Demons as blind vampire-turned-monster hunter Mina Harker. She played Effie Gray in the BBC Two period drama Desperate Romantics. In 2010, she played Hannah in the BBC television pilot Reunited.
Read more about this topic: Zoe Tapper
Famous quotes containing the word career:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating Low Average Ability, reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (18891945)
“Never hug and kiss your children! Mother love may make your childrens infancy unhappy and prevent them from pursuing a career or getting married! Thats total hogwash, of course. But it shows on extreme example of what state-of-the-art scientific parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)