His Works
First: Solo piano compositions
- The Sudanese, 1932
- Nile Boatman, 1932
- La Galerien, 1932
- Good Luck, 1932
- A Boat Burns, 1932
- How Are You,1932
- Truth, 1932
- Little Palestinian, 1932
- Happiness, 1932
- A Night in the Boat,1945
Second: Solo violin compositions
- The Bedouin No. 1931 of 1932
- The Egyptian Village, No. 22 of 1932
- Dance of the Palm Valley
- Souvenir, No. 25 of 1932.
- Son of the Valley, 1943
- Bedouin Singing, 1944
- Company of the Nile 1944,
- Desert Songs, 1944
- Sphinx and Violin, 1947
- Daughter of Pyramids, 1961
Third: Violin and piano compositions
- We Dance, 1928
- Forest, 1929
- On Bank of the Nile, 1931
- The Carrier of Water, 1931
- Greetings to Vienna, 1931
- Dance of Palm Trees, 1932
- In the Desert, 1932
- Murrmering Scarabee, 1944
- Romance, 1945
- The Nile Sings, 1950
Fourth: Solo flute compositions
- Echo of the Desert, 1944
- Echo of the Valley, 1944
- Echo of the Nile, 1944
Fifth : Solo cello compositions
- The Man Peasant, 1922
Sixth : Cello and piano compositions
- The Woman Peasant, 1923
Seventh : Lyrical compositions with piano
- Song of the Valley, 1943.
- Boat of Fate, 1944
- Dance of the Nile, 1944
- Song of the Shepherd, 1944
- The Nile’s Song and Call, 1944
- Dance of the Village, 1944
Eighth : Orchestral compositions
- Egypt, Symphony, 1932
- The Carrier of Water, 1932
- Toward Desert Monastery, Symphony, 1934
- The Nile and Rose, Symphony, 1943
- Pharos’ Pyramids, Symphony, 1960
Most of his compositions remained unpublished up to now.
On the Day of Art in 1981, the state honored and listed him in the Record of Immortals in the Arts Academy.
Read more about this topic: Yusef Greiss
Famous quotes containing the word works:
“I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
—Henry David Thoreau (18171862)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (18991977)