Structure
The song begins with two verses sung by McCartney in a large-sound, almost classical style. This is followed by a section played in a double time swing feel with McCartney switching to a more nasal vocal style, using a mock-baritone voice which contrasts the song's somewhat poignant lyrics. Next comes an instrumental interlude with George Harrison's aggressive blues rock-style and a concluding unison line between guitar and bass. The song fades out with a chant of a nursery rhyme, set to a Harrison guitar riff similar to a previous album track, "Here Comes the Sun". The riff would later return in the medley's track "Carry That Weight". The song's production is notable for prominent use of leslie-amplified, arpeggiated guitar parts, which became synonymous with the late-era Beatles sound.
It slowly and quietly segues into "Sun King".
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—Henry David Thoreau (1817–1862)
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“The philosopher believes that the value of his philosophy lies in its totality, in its structure: posterity discovers it in the stones with which he built and with which other structures are subsequently built that are frequently better—and so, in the fact that that structure can be demolished and yet still possess value as material.”
—Friedrich Nietzsche (1844–1900)