Works
| Game | Released | System(s) | Credit(s) |
|---|---|---|---|
| The Legend of Zelda: A Link to the Past | 1991 | Printed art work, layout and story of the manual | |
| Super Mario Kart | 1992 | Illustrator | |
| The Legend of Zelda: Link's Awakening | 1993 | Story, script writer, manual writer | |
| Super Mario World 2: Yoshi's Island | 1995 | CG designer | |
| Super Mario 64 | 1996 | Assistant director, 3D animator | |
| The Legend of Zelda: Ocarina of Time | 1998 | 3D system director, story, character design (Adult Link), creator of "Z-Targeting System" | |
| The Legend of Zelda: Link's Awakening DX | 1998 | Story, script writer, manual writer | |
| Super Smash Bros. | 1999 | Original game staff | |
| The Legend of Zelda: Majora's Mask | 2000 | Game system director, story, creator of "Three-Day System" | |
| Super Mario Sunshine | 2002 | Director | |
| The Legend of Zelda: The Wind Waker | 2002 | Assistant director | |
| Donkey Kong: Jungle Beat | 2004 | Director | |
| Super Mario Galaxy | 2007 | Director, story, game design | |
| Super Smash Bros. Brawl | 2008 | Special thanks | |
| New Play Control! Donkey Kong: Jungle Beat | 2008 | Producer | |
| Flipnote Studio | 2008 | Producer, director | |
| Super Mario Galaxy 2 | 2010 | Producer | |
| Donkey Kong Country Returns | 2010 | Special thanks | |
| Super Mario 3D Land | 2011 | Producer |
Read more about this topic: Yoshiaki Koizumi
Famous quotes containing the word works:
“One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
—Benjamin Haydon (1786–1846)
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)