Work
López obtained international celebrity for her Virgen de Guadalupe series of drawings, prints, collage, assemblage, and paintings. The series, which depicted "ordinary" Mexican women (including her grandmother and López herself) with Guadalupan attributes (usually the mandorla). The works attracted praise for "sanctifying" average Mexican women, who were depicted performing domestic and other labor. Critics, particularly devotees of the Virgin, objected to the series, which they viewed as a sacrilegious debasement of a holy image.
She continued her artistic investigation of women's labor issues with a series of prints called Woman's Work is Never Done. One of the series prints collection, one of which, "The Nanny", attempted to study some problems faced by immigrant women of Hispanic descent in the United States.
Her famous political poster titled Who's the Illegal Alien, Pilgrim? features an angry young man in an Aztec headdress and traditional jewelry holding a crumpled-up paper titled "Immigration Plans." This 1978 poster was created during a period of political debate in the U.S. which resulted in the passage of the Immigration and Nationality Act Amendments of 1978, which limited immigration from a single country to 20,000 people per year with a total cap of 290,000. With this poster, she claims that the modern descendants of the Aztecs and their neighbors have a fundamental right to immigrate freely to the United States of America and Canada because Spain claimed much of the western portion of North America as its colonial territory. (The Aztec territory itself never reached further north than what is now central Mexico; pre-colonial North America was instead populated by hundreds of independent aboriginal peoples.)
López has also curated exhibitions, including "Cactus Hearts/Barb Wired Dreams", which featured works of art concerning immigration to the United States. The exhibition debuted at the Galería de la Raza and subsequently toured nationwide as part of an exhibition called "La Frontera/The Border: Art About the Mexico/United States Border Experience".
López has produced two films, Images of Mexicans in the Media and When you Think of Mexico, which challenge the way the mass media depicts Mexicans and other Latin Americans.
She has also taught art in studios and universities, including UCSD and the University of California, Berkeley. She also mentored high school youth who painted a mural in San Diego's Chicano Park.
Read more about this topic: Yolanda Lopez
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For all humanity a complete rest
From all this wagery. But what’s the use
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That class of people don’t know what work is....”
—Robert Frost (1874–1963)
“Men are allowed to have passion and commitment for their work ... a woman is allowed that feeling for a man, but not her work.”
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“There is only one art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.”
—Václav Havel (b. 1936)