Musical Style and Influences
Shimomura lists Ludwig van Beethoven, Frédéric Chopin, and Maurice Ravel as some of her influences on her personal website. She has also stated that she has enjoyed "lounge-style jazz" for a long time. Despite these influences and her classical training, the diverse musical styles that she has used throughout her career and sometimes in the same soundtrack include "rock, electronica, oriental, ambient, industrial, pop, symphonic, operatic, chiptune, and more". She draws inspiration for her songs from things in her life that move her emotionally, which she describes as "a beautiful picture, scenery, tasting something delicious, scents that bring back memories, happy and sad things... Anything that moves my emotion gives me inspiration". Shimomura has also stated that she comes up with most of her songs when she is doing something that is "not part of daily routine, like traveling." Although her influences are mostly classical, she has said that in her opinion her "style has changed dramatically over the years, though the passion for music stays the same." Shimomura has said that she believes that an important part of "the creative process behind music" is to "convey a subtle message, something that comes from your imagination and sticks with the listener, without being overly specific about what it means", rather than only writing simple themes with obvious messages. Her favorite track that she has ever composed is "Dearly Beloved" from Kingdom Hearts.
Read more about this topic: Yoko Shimomura
Famous quotes containing the words musical, style and/or influences:
“Hell is full of musical amateurs: music is the brandy of the damned.”
—George Bernard Shaw (1856–1950)
“As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)
“Professors of literature, who for the most part are genteel but mediocre men, can make but a poor defense of their profession, and the professors of science, who are frequently men of great intelligence but of limited interests and education, feel a politely disguised contempt for it; and thus the study of one of the most pervasive and powerful influences on human life is traduced and neglected.”
—Yvor Winters (1900–1968)