Career
Bleeth's role on Baywatch brought her widespread attention. People named her one of magazine's 50 Most Beautiful People in 1995. She was one of FHM's 100 Sexiest Women in the World every year from 1996–2001, and FHM's U.S. 100 Sexiest Women every year from 2000–03. As a result of her role in Baywatch, Bleeth was offered other roles in television and film. She has been a featured actress in five series and has guest-starred in other shows. During her television career, she continued to work as a model, frequently appearing in swimwear or lingerie. She once had her own line of swimwear called Yaz Wear.
Bleeth accepted a starring role in the short-lived series Titans in 2000. Aaron Spelling was so eager to cast Bleeth in the role of a vixen on Titans that his company convinced CBS to grant her an early release from her Nash Bridges contract. In an interview with Dennis Hensley, she said she delighted in her over-the-top depiction of a crazed beauty queen in the 1997 TV movie Crowned and Dangerous. She said, "I keep my crown from that film on my desk in a little Lucite box. My little brother tried it on once, and I screamed at him, 'Take it off! Take it off!' I get a little nasty about my crown."
Read more about this topic: Yasmine Bleeth
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)