Yard Dogs Road Show is a thirteen-member traveling cabaret that features a unique blend of performances, including vaudeville, burlesque, stage magic, sideshow oddities, and beatnik "hobo poetry." Performances include musical interludes, song and dance numbers, and background music from the Yard Dogs cartoon heavy band. Originally from San Francisco, the Yard Dogs made their first full-fledged national tour in the Spring of 2005, playing 25 shows in 35 days with seven sold-out performances. Their show is used as a vehicle to travel and promote an independent lifestyle and spirit. All the performers are completely independent and 100% collaborative in creating their performances on stage. Their main objective is to inspire others to create and express themselves outside of the box. Consequently, creative communities are increasing in towns they have visited and revisited. The Yard Dogs Road Show is collaborative group of friends who love to travel and perform together. Through their collaborative performances they aim to bring other artists together and create more independent artistic communities throughout the world.
For use in this Wiki entry, the bands manager allowed the use of the song Blockhead as an example of their style
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Read more about Yard Dogs Road Show: History, Members, Discography, Community
Famous quotes containing the words yard, dogs, road and/or show:
“You must come down with me after the show to the lumber yard and ride piggy-back on the buzz saws.”
—W.C. Fields, U.S. screenwriter, George Marshall, and Eddie Cline. Larsen E. Whipsnade (W.C. Fields)
“The very dogs were all asleep, and the flies, drunk with moist sugar in the grocer’s shop, forgot their wings and briskness, and baked to death in dusty corners of the window.”
—Charles Dickens (1812–1870)
“Youth is rather to be pitied than envied by people in years since it is doomed to toil through the rugged road of life which the others have passed through, in search of happiness that is not to be met with in it and that, at the highest, can be compounded for only by the blessing of a contented mind.”
—Samuel Richardson (1689–1761)
“Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.”
—John Dos Passos (1896–1970)