History of Yale Repertory Theatre
As head of "the Rep" from 1966 to 1979, Brustein brought professional actors to Yale each year to form a repertory company and nurtured notable new authors including Athol Fugard. The more successful works were regularly transferred to commercial theaters.
The dean of Yale School of Drama is the artistic director of the Yale Repertory Theatre, with Lloyd Richards (who most notably nurtured the career of August Wilson) serving in this capacity 1979-1991, Stan Wojewodski, Jr., 1991–2002, and James Bundy since 2002. Benjamin Mordecai served as managing director from 1982 to 1993; Victoria Nolan has served in this capacity since his passing.
Of the more than ninety world premieres the Rep has produced, four have won Pulitzer Prizes; ten productions have received Tony Awards after being transferred to Broadway, and Yale Repertory Theatre was given a Drama Desk Special Award in 1988 and the Tony Award for Outstanding Regional Theatre in 1991.
In 2002, Yale School of Drama and Yale Repertory Theatre received the Governor's Arts Award from Governor John G. Rowland for artistic achievement and contribution to the arts in the state of Connecticut.
Read more about this topic: Yale Repertory Theatre
Famous quotes containing the words history, yale, repertory and/or theatre:
“While the Republic has already acquired a history world-wide, America is still unsettled and unexplored. Like the English in New Holland, we live only on the shores of a continent even yet, and hardly know where the rivers come from which float our navy.”
—Henry David Thoreau (18171862)
“Obviously, its a great privilege and pleasure to be here at the Yale Law School Sesquicentennial Convocation. And I defy anyone to say that and chew gum at the same time.”
—Gerald R. Ford (b. 1913)
“Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players, and Tennessee Williams has about 5, and Samuel Beckett oneand maybe a clone of that one. I have 10 or so, and thats a lot. As you get older, you become more skillful at casting them.”
—Gore Vidal (b. 1925)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in ones mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (18921983)