History
The first issue was distributed September 3–5, 1960, at Pittcon (the 18th World Science Fiction Convention in Pittsburgh). That issue featured an article about Captain Marvel and Fawcett Comics, the first "All in Color for a Dime" installment. In 1961, Lupoff wrote an article for Comic Art about the launch of Xero and his focus on comics:
- The night of the costume ball, Pat and I showed up in our costumes: hastily devised Captain Marvel and Mary Marvel outfits. Mine was made from a set of long underwear, and hers was nothing but a man’s red T-shirt emblazoned with felt lightning, plus a yellow sash. They were extremely popular costumes. Everyone from Doc Smith on down wanted to take our pictures. Why?… The only conclusion that can be drawn is that it was not us, nor our costumes themselves, that were popular. It was Captain Marvel and Mary Marvel, momentarily embodied in us, that drew the admiration and applause... Further, "All in Color" has been the most letter-provoking feature of Xero, numerous people have requested copies, specifying that their motive is to obtain the comics articles, and if all the authors currently committed to write for the series come through with articles, the series will run well into 1962 before material runs out.
In subsequent issues, the articles and letter columns often featured well-known contributors: Dan Adkins, Otto Binder, James Blish, Anthony Boucher, Algis Budrys, Lin Carter, Avram Davidson, L. Sprague de Camp, Roger Ebert, Harlan Ellison, Ed Gorman, Ron Haydock, Roy Krenkel, Frederik Pohl, Larry Shaw, Robert Shea, Steve Stiles, Bob Tucker, Donald E. Westlake, Ted White, Paul Williams and Walt Willis.
Read more about this topic: Xero (SF Fanzine)
Famous quotes containing the word history:
“In front of these sinister facts, the first lesson of history is the good of evil. Good is a good doctor, but Bad is sometimes a better.”
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“To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.”
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