Xeremia - History

History

The first reliable evidence of bagpipes in the Iberian Peninsula dates to the Middle Ages. The Arabs knew and played bagpipes. The first written reference dates to the 9th century, in a letter from Saint Jerome to Dardanus:

"The chorus is a simple leather hide with two brass tubes. The player blows into one, and the chorus emits the sound through the other".

The influence of the court of Aragon and particularly that of Catalonia in the Balearic Islands and the cultural exchanges on both sides of the Pyrenees together with Catalan hegemony in Occitania, which had been a strong cultural center, caused an increase the number of bards and minstrels increased. In 1209 there was a massive migration of bards and minstrels fleeing Occitania, due to repression by the northern French monarchs, encouraged by pope Innocent III. Bagpipes became prominent in those areas where the courts of Aragon and Catalonia had influence.

When James I the Conqueror, conquered Majorca and Ibiza and repopulated those lands with his vassals of Catalan origin, they brought the bagpipes with them: the sac de gemecs, from which the Mallorcan xeremia (xeremia mallorquina) is derived.

In the archive of the Crown of Aragon there is a document from the year 1343 that names one Joan Mascum, bagpipe minstrel to the king, from Majorca in reference to king James III. Further, it is known that the minstrels of the king of Mallorca brought to the court of Peter IV the ceremonial playing of the bagpipe through the city of Tortosa in the year 1353. There are further reports that bagpipers from a variety of nations would congregate, especially during Lent.

Similar pipes are attested in Barcelona as early as 1119, and in Valencia in 1258. Reports state that a procession of Saint Dionysius contained "two trumpeters, two tabalers, and bagpipe." After 1335, there are frequent mentions of the xeremia in records. Following this period, the pipes became even more widespread, becoming popular among shepherds and beggars, although in a primitive form.

During the reign of Alfonso V of Aragon and IV of Catalonia, called The Magnanimous the instrument spread, along with other cultural trappings, to the kingdom's possessions in the Mediterranean. Reports from 1420 indicate that the court of Naples included players of the xalamies.

It is in the 19th century that the instrument was modified, becoming more like the xeremia we know today. The evolution of other instruments had marginalized the bagpipes, whose range was only a single octave. As it was difficult to modernize the pipes, they remained a simple and primitive instrument. Though it faded from popularity in other Catalan territories, this was not the case of the Balearic Islands where isolation and a predominantly rural population preserved the instrument within the culture. The xeremia, close relative of the sac de gemecs, maintains its popularity in the culture of the Baleares even as native bagpiping traditions across Europe went into decline. At the end of the 20th century, several folkloric and cultural groups were working for the instrument's continued survival and expansion.

The evolution of the xeremia may be divided into two periods. Between the 12th and 16th centuries conviven instrumentos con "trompa" o sin ella. From the 16th century onwards its form resembled that of the modern variant, with the drones atop the instrument. The direct relation between this pipe and the sac de gemecs is still reflected in that the only major difference between the two pipes is that all the drones of the sac de gemecs sound, whereas two of the three xeremia drones are often dummy drones for aesthetic purposes, with only one of the three actually functional.