Origins of The Story
Hubbard wrote OT III in late 1966 and early 1967 in North Africa while on his way to Las Palmas to join the Enchanter, the first vessel of his private Scientology fleet (the "Sea Org"). (OT III says "In December 1967 I knew someone had to take the plunge", but the material was publicised well before this.) He emphasized later that OT III was his own personal discovery.
Critics of Scientology have suggested that other factors may have been at work. In a letter of the time to his wife Mary Sue, Hubbard said that, in order to assist his research, he was drinking alcohol and taking stimulants and depressants ("I'm drinking lots of rum and popping pinks and greys"). His assistant at the time, Virginia Downsborough, said that she had to wean him off the diet of drugs to which he had become accustomed. Russell Miller posits in Bare-faced Messiah that it was important for Hubbard to be found in a debilitated condition, so as to present OT III as "a research accomplishment of immense magnitude".
Elements of the Xenu story appeared in Scientology before OT III. Hubbard's descriptions of extraterrestrial conflicts were put forward as early as 1950 in his book Have You Lived Before This Life?, and were enthusiastically endorsed by Scientologists who documented their past lives on other planets.
Read more about this topic: Xenu
Famous quotes containing the words origins of, origins and/or story:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Man is eminently a storyteller. His search for a purpose, a cause, an ideal, a mission and the like is largely a search for a plot and a pattern in the development of his life story—a story that is basically without meaning or pattern.”
—Eric Hoffer (1902–1983)