Wyrd - Fate in Germanic Mythology

Fate in Germanic Mythology

Wyrd is a feminine noun, and its Norse cognate urðr, besides meaning "fate", is the name of one of the Norns; urðr is literally "that which has come to pass", verðandi is "what is in the process of happening" (the present participle of the verb cognate to weorþan) and skuld "debt, guilt" (from a Germanic root *skul- "to owe", also found in English shall).

Between themselves, the Norns weave fate or ørlǫg (from ór "out, from, beyond" and lǫg "law", and may be interpreted literally as "beyond law"). According to Voluspa 20, the three Norns "set up the laws", "decided on the lives of the children of time" and "promulgate their ørlǫg". Frigg, on the other hand, while she "knows all ørlǫg", "says it not herself" (Lokasenna 30). ørlǫglausa "ørlǫg-less" occurs in Voluspa 17 in reference to driftwood, that is given breath, warmth and spirit by three gods, to create the first humans, Ask ("Ash") and Embla (possibly "Elm").

Mentions of wyrd in Old English literature include The Wanderer, "Wyrd bið ful aræd" ("Fate remains wholly inexorable") and Beowulf, "Gæð a wyrd swa hio scel!" ("Fate goes ever as she shall!").

Read more about this topic:  Wyrd

Famous quotes containing the words fate in, fate and/or mythology:

    It has been my fate in a long life of production to be credited chiefly with the equivocal virtue of industry, a quality so excellent in morals, so little satisfactory in art.
    Margaret Oliphant (1828–1897)

    Narcotics have been systematically scapegoated and demonized. The idea that anyone can use drugs and escape a horrible fate is an anathema to these idiots. I predict that in the near future, right wingers will use drug hysteria as a pretext to set up an international police apparatus.
    Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Father Tom Murphy (William S. Burroughs)

    It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.
    George Steiner (b. 1929)