The World Trade Center Site Memorial Competition was an open, international memorial contest, initiated by the Lower Manhattan Development Corporation (LMDC), as per the specifications of architect Daniel Libeskind, to design a World Trade Center Site Memorial (later renamed the National September 11 Memorial) on a portion of the World Trade Center site. The Competition began April 28, 2003 and the winner—Michael Arad and Peter Walker's Reflecting Absence—was revealed January 14, 2004 in a press conference at Federal Hall in New York City. The contest garnered 5,201 entries from 63 nations and 49 US states out of 13,683 registrants from all 50 US states and 94 nations, making it the largest design competition in history.
Read more about World Trade Center Site Memorial Competition: Guidelines, Selection Jury, Finalists, Reflecting Absence, Controversy, See Also
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“You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.”
—Anna C. Brackett (1836–1911)
“Killers, huh? I’d trade the pair of you for a good Camp Fire Girl.”
—Daniel Taradash (b. 1913)
“It is written in the Book of Usable Minutes
That all things have their center in their dying....”
—John Ashbery (b. 1927)
“The site of the true bottomless financial pit is the toy store. It’s amazing how much a few pieces of plastic and paper will sell for if the purchasers are parents or grandparent, especially when the manufacturers claim their product improves a child’s intellectual or physical development.”
—Lawrence Kutner (20th century)
“I hope there will be no effort to put up a shaft or any monument of that sort in memory of me or of the other women who have given themselves to our work. The best kind of a memorial would be a school where girls could be taught everything useful that would help them to earn an honorable livelihood; where they could learn to do anything they were capable of, just as boys can. I would like to have lived to see such a school as that in every great city of the United States.”
—Susan B. Anthony (1820–1906)
“Wearing overalls on weekdays, painting somebody else’s house to earn money? You’re working class. Wearing overalls at weekends, painting your own house to save money? You’re middle class.”
—Lawrence Sutton, British prizewinner in competition in Sunday Correspondent (London)