World Trade Center Mexico City

The World Trade Center Mexico City is a building complex located in Mexico City, Mexico. Its most famous and recognizable feature is the 52-story, 207 m (670 ft) high Torre WTC, the third tallest building in Mexico City (including antenna), or fourth when measured by its 191 m (587 ft) roof height. When talking about the World Trade Center México, one usually is referring to the uniquely shaped tower. The complex also includes a convention center, cultural center, parking facilities, a multi-screen cinema, a revolving 45th-floor luxury restaurant, and shopping center with Sears as an anchor tenant. It will also include a 22-floor hotel, which is currently under construction. Located on Avenida de los Insurgentes, the complex is served by the Polyforum station of the Metrobús Bus rapid transit system, located a few meters away. The station is named after the Polyforum Cultural Siqueiros, a part of the WTC complex.

Read more about World Trade Center Mexico City:  History

Famous quotes containing the words world, trade, center, mexico and/or city:

    Although the stupid, unthinking world may approve what you have done, in your heart you know that, but for your treachery, the boy you loved would be alive today. If anyone is responsible for his death, you killed him, and for that murder you will live and die in the contempt and loathing of your own heart.
    Karl Brown (1897–1990)

    ...I lost myself in my work and never felt that marriage would give me the security I wanted. I thought that through the trade union movement we working women could get better conditions and security of mind.
    Mary Anderson (1872–1964)

    Thine age asks ease, and since thy duties be
    To warm the world, that’s done in warming us.
    Shine here to us, and thou art everywhere;
    This bed thy center is, these walls, thy sphere.
    John Donne (1572–1631)

    I think New Mexico was the greatest experience from the outside world that I have ever had.
    —D.H. (David Herbert)

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)