World Trade Center in Popular Culture

World Trade Center In Popular Culture

The World Trade Center was a landmark building complex in Lower Manhattan, New York. The famous Twin Towers (1 and 2 WTC) were completed by 1973 and were among the tallest buildings in the world until their destruction in 2001. An iconic feature of the New York City skyline for nearly three decades, the World Trade Center has been featured in innumerable films, television shows, cartoons, computer games and comic books.

Read more about World Trade Center In Popular Culture:  Movies, Notable Movie Posters, Television, Video Games, Cartoons and Anime, Music, Comic Books and Graphic Novels

Famous quotes containing the words world, trade, center, popular and/or culture:

    There are loyal hearts, there are spirits brave,
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    And the best will come back to you.
    Madeline Bridges (fl. C. 1840)

    ... it must be obvious that in the agitation preceding the enactment of [protective] laws the zeal of the reformers would be second to the zeal of the highly paid night-workers who are anxious to hold their trade against an invasion of skilled women. To this sort of interference with her working life the modern woman can have but one attitude: I am not a child.
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    Whether talking about addiction, taxation [on cigarettes] or education [about smoking], there is always at the center of the conversation an essential conundrum: How come we’re selling this deadly stuff anyway?
    Anna Quindlen (b. 1952)

    You seem to think that I am adapted to nothing but the sugar-plums of intellect and had better not try to digest anything stronger.... a writer of popular sketches in magazines; a lecturer before Lyceums and College societies; a dabbler in metaphysics, poetry, and art, than which I would rather die, for if it has come to that, alas! verily, as you say, mediocrity has fallen on the name of Adams.
    Henry Brooks Adams (1838–1918)

    Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.
    Lionel Trilling (1905–1975)