World Trade Center In Popular Culture
The World Trade Center was a landmark building complex in Lower Manhattan, New York. The famous Twin Towers (1 and 2 WTC) were completed by 1973 and were among the tallest buildings in the world until their destruction in 2001. An iconic feature of the New York City skyline for nearly three decades, the World Trade Center has been featured in innumerable films, television shows, cartoons, computer games and comic books.
Read more about World Trade Center In Popular Culture: Movies, Notable Movie Posters, Television, Video Games, Cartoons and Anime, Music, Comic Books and Graphic Novels
Famous quotes containing the words popular culture, world, trade, center, popular and/or culture:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“This seems to be advanced as the surest basis for our belief in the existence of gods, that there is no race so uncivilized, no one in the world so barbarous that his mind has no inkling of a belief in gods.”
—Marcus Tullius Cicero (106–43 B.C.)
“No king on earth is as safe in his job as a Trade Union official. There is only one thing that can get him sacked; and that is drink. Not even that, as long as he doesn’t actually fall down.”
—George Bernard Shaw (1856–1950)
“There is nothing more natural than to consider everything as starting from oneself, chosen as the center of the world; one finds oneself thus capable of condemning the world without even wanting to hear its deceitful chatter.”
—Guy Debord (b. 1931)
“Let us dismiss, as irrelevant to the poem per se, the circumstance ... which, in the first place, gave rise to the intention of composing a poem that should suit at once the popular and the critical taste.”
—Edgar Allan Poe (1809–1849)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)