World Trade Center In Popular Culture
The World Trade Center was a landmark building complex in Lower Manhattan, New York. The famous Twin Towers (1 and 2 WTC) were completed by 1973 and were among the tallest buildings in the world until their destruction in 2001. An iconic feature of the New York City skyline for nearly three decades, the World Trade Center has been featured in innumerable films, television shows, cartoons, computer games and comic books.
Read more about World Trade Center In Popular Culture: Movies, Notable Movie Posters, Television, Video Games, Cartoons and Anime, Music, Comic Books and Graphic Novels
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“This world is not for aye, nor ‘tis not strange
That even our loves should with our fortunes change.”
—William Shakespeare (1564–1616)
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
—Ralph Waldo Emerson (1803–1882)
“The greatest part of each day, each year, each lifetime is made up of small, seemingly insignificant moments. Those moments may be cooking dinner...relaxing on the porch with your own thoughts after the kids are in bed, playing catch with a child before dinner, speaking out against a distasteful joke, driving to the recycling center with a week’s newspapers. But they are not insignificant, especially when these moments are models for kids.”
—Barbara Coloroso (20th century)
“O, popular applause! what heart of man
Is proof against thy sweet, seducing charms?”
—William Cowper (1731–1800)
“To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.”
—Michael Harrington (1928–1989)