World Trade Center In Popular Culture
The World Trade Center was a landmark building complex in Lower Manhattan, New York. The famous Twin Towers (1 and 2 WTC) were completed by 1973 and were among the tallest buildings in the world until their destruction in 2001. An iconic feature of the New York City skyline for nearly three decades, the World Trade Center has been featured in innumerable films, television shows, cartoons, computer games and comic books.
Read more about World Trade Center In Popular Culture: Movies, Notable Movie Posters, Television, Video Games, Cartoons and Anime, Music, Comic Books and Graphic Novels
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“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“A jackass has that kind of strength, and puts it to a useful purpose, and is valuable to the world because he is a jackass; but a nobleman is not valuable because he is a jackass. It is a mixture that is always ineffectual, and should never have been attempted in the first place. And yet, once you start a mistake, the trouble is done and you never know what is going to come of it.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The trade of advertising is now so near perfection that it is not easy to propose any improvement. But as every art ought to be exercised in due subordination to the public good, I cannot but propose it as a moral question to these masters of the public ear, whether they do not sometimes play too wantonly with our passions.”
—Samuel Johnson (1709–1784)
“Placing the extraordinary at the center of the ordinary, as realism does, is a great comfort to us stay-at-homes.”
—Mason Cooley (b. 1927)
“All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.”
—Roland Barthes (1915–1980)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)