Influences On Science Fiction and Popular Culture
The cosmic egg concept has caught the imagination of many science fiction and fantasy writers, including the creators of the Marvel Comics character Galactus. Galactus, with the help of the Phoenix Force managed to survive the previous Big Crunch and, preserved in the cosmic egg, emerged as a being of immense power in the present universe. The cosmic egg concept was also used by DC Comics and Marvel comics in their Avengers/JLA crossover, in which it was used to capture their mutual enemy Krona.
In the 1970 science fiction novel Tau Zero by Poul Anderson, a starship forced to travel very close to the speed of light by an engine malfunction survives traversing our universe collapsing via a big crunch into a cosmic egg and re-exploding in a new big bang. The crew of the starship finds a planet similar to Earth in the new universe, upon which they land and establish a colony.
In 1972 science fiction novel The Gods Themselves by Isaac Asimov, baby universes, in their cosmic egg stage, are used as alternative fuel.
In the popular Pokémon series of games, the Alpha Pokémon Arceus is said to have been born from a Cosmic Egg in a churning turmoil of chaos; proceeding to shape the universe with its 1000 arms.
The Australian Rock band Wolfmother released their album Cosmic Egg on October 23, 2009.
In Shin Megami Tensei: Strange Journey, there are several Cosmic Eggs which must be collected; depending on which path the player chooses, they will either be used to remake the Earth into a world of Law or Chaos, or detonated in order to prevent the Schwarzwelt from consuming the planet.
Read more about this topic: World Egg
Famous quotes containing the words influences on, influences, science, fiction, popular and/or culture:
“Professors of literature, who for the most part are genteel but mediocre men, can make but a poor defense of their profession, and the professors of science, who are frequently men of great intelligence but of limited interests and education, feel a politely disguised contempt for it; and thus the study of one of the most pervasive and powerful influences on human life is traduced and neglected.”
—Yvor Winters (1900–1968)
“I don’t believe in villains or heroes, only in right or wrong ways that individuals are taken, not by choice, but by necessity or by certain still uncomprehended influences in themselves, their circumstances and their antecedents.”
—Tennessee Williams (1914–1983)
“For us necessity is not as of old an image without us, with whom we can do warfare; it is a magic web woven through and through us, like that magnetic system of which modern science speaks, penetrating us with a network subtler than our subtlest nerves, yet bearing in it the central forces of the world.”
—Walter Pater (1839–1894)
“If there were genders to genres, fiction would be unquestionably feminine.”
—William Gass (b. 1924)
“Both gossip and joking are intrinsically valuable activities. Both are essentially social activities that strengthen interpersonal bonds—we do not tell jokes and gossip to ourselves. As popular activities that evade social restrictions, they often refer to topics that are inaccessible to serious public discussion. Gossip and joking often appear together: when we gossip we usually tell jokes and when we are joking we often gossip as well.”
—Aaron Ben-Ze’Ev, Israeli philosopher. “The Vindication of Gossip,” Good Gossip, University Press of Kansas (1994)
“Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers—and in people’s minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.”
—Jean Baudrillard (b. 1929)