Griot Tradition
Wolof musicians were traditionally drawn from the griots (géwél), or of the blacksmith caste (tëgg), who were masters of drumming. Griots taught history, ethics and religion using their songs and recitations, and were employed by powerful members of the community as praise-singers and historians. Today many modern Wolof musicians still come from Griot families.
After the 19th century conversion of major Wolof kingdoms to Islam, the tagg, or ode song in Wolof, was reused in an Islamic Nasheed tradition—an important integration of pre-Islamic style into the new Muslim paradigm.
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