Griot Tradition
Wolof musicians were traditionally drawn from the griots (géwél), or of the blacksmith caste (tëgg), who were masters of drumming. Griots taught history, ethics and religion using their songs and recitations, and were employed by powerful members of the community as praise-singers and historians. Today many modern Wolof musicians still come from Griot families.
After the 19th century conversion of major Wolof kingdoms to Islam, the tagg, or ode song in Wolof, was reused in an Islamic Nasheed tradition—an important integration of pre-Islamic style into the new Muslim paradigm.
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Famous quotes containing the word tradition:
“This is no argument against teaching manners to the young. On the contrary, it is a fine old tradition that ought to be resurrected from its current mothballs and put to work...In fact, children are much more comfortable when they know the guide rules for handling the social amenities. It’s no more fun for a child to be introduced to a strange adult and have no idea what to say or do than it is for a grownup to go to a formal dinner and have no idea what fork to use.”
—Leontine Young (20th century)