Wolf Howard - Pinhole Photography

Pinhole Photography

Wolf Howard is a member of the Stuckism Photography group and takes pinhole photographs. He uses a light-proof wooden box 4" square with a fixed-size pinhole in the front. Photographic paper is placed at the back of the box. There is no lens and no viewfinder, so he estimates the aim of the camera. A wooden slider allows light into the box for an exposure which is between 40 seconds and 5 minutes. The camera is placed inside a light-proof bag to replace the photographic paper.

He develops a negative print (in his bathroom) and makes the final positive print by placing another sheet of photographic paper under the negative with a 5 second exposure under a light bulb. The whole process requires estimation throughout and he "faces many disappointments in his darkroom. The hard work will eventually pay off."

He describes his motivation:

There is something special about a pinhole camera. There is a beauty in its simplicity and rawness that technology has not been able to better. There is a timeless quality that can make the most uncomplicated subject seem full of poetry.
In each pinhole picture I take I hope to capture the joy and excitement that the early pioneering photographers (Fox Talbot and friends) must have felt when they took and developed photographs for the very first time.

An exhibition of his work, The Pinhole Photographs of a Gifted Gentleman Amateur, was held at the Stuckism International Gallery in 2003 as part of Alternative Arts Photomonth. He was one of the four Stuckist Photographers showing work at the Lady Lever Art Gallery during the 2004 Liverpool Biennial. Jesse Richards wrote in a review of the show, "Wolf Howard's pinhole photographs of a pocket watch, a trench cap, and his friend Billy Childish are beautiful haunting images that seem to be from a world long gone by. I've really never seen anything like it."

Read more about this topic:  Wolf Howard

Famous quotes containing the word photography:

    Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.
    Jessie Tarbox Beals (1870–1942)