Production History
The film departs radically from the novel upon which it is based, introducing new characters and exploits. Along with a completely different plot, the film is all set in a world that is only barely recognizable as the Land of Oz from the books. The film focuses mainly upon Semon's character, who is analogous to Ray Bolger's Scarecrow character in the 1939 version.
The major departure from the book and film is that the Scarecrow, Tin Man, and Lion are not actually characters, but are in fact disguises donned by three farm hands who find themselves swept into Oz by a tornado. Dorothy is here played by Dorothy Dwan — Semon's wife. Her version of the character is a young, seductive woman who has just turned 18 and who finds herself in the middle of a love triangle between Semon and Hardy. In a drastic departure from the original book, the "Tin Man" is a villain in this version, as Hardy's jealousy over Dorothy leads him to become the henchman for the evil Prime Minister Kruel. Semon vies unsuccessfully for Dorothy's love, losing at first to the farmhand played by Hardy, and then to Prince Kynd.
Some elements of the narrative have their roots in earlier adaptations of The Wizard of Oz. For example, Prime Minister Kruel has a predecessor in King Krewl, the antagonist of His Majesty, the Scarecrow of Oz. The note explaining Princess Dorothea's true heritage is signed "Pastoria", a name used for the exiled King of Oz in the 1902 stage version of The Wizard of Oz and for the father of Princess Ozma in The Marvelous Land of Oz and later Oz books.
Read more about this topic: Wizard Of Oz (1925 Film)
Famous quotes containing the words production and/or history:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“History, as an entirety, could only exist in the eyes of an observer outside it and outside the world. History only exists, in the final analysis, for God.”
—Albert Camus (1913–1960)