Structure
- Movement 1: "The Desert: Don Juan Emerges from the Mountains"
- This movement is highly evocative of the opening of Igor Stravinsky's The Rite of Spring. The opening sound of the Eb Clarinet is a possible reminder of the Bassoon in the Treble Clef from Stravinsky's Ballet.
- Movement 2: "Don Genaro Appears"
- Laughter can be heard from the Clarinets in an unmistakable sound in this movement.
- Movement 3: "Carlos Stares at the River and Becomes a Bubble"
- Movement 4: "The Gait of Power"
- Movement 5: "Asking Twilight for Calmness and Power"
- Movement 6: "Don Juan Clowns for Carlos"
- Clowns from a Circus or Carnivale can be heard here - the Clarinet and Saxophone sections utilize Folk music to make sound that could remind the listener of a memory of painted up performers.
- Movement 7: "Last Conversation and Farewell"
- A similar sounding feel to the "Great Gate of Kiev" from Pictures at an Exhibition by Modest Mussorgsky
Read more about this topic: Winds Of Nagual
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“Vashtar: So it’s finished. A structure to house one man and the greatest treasure of all time.
Senta: And a structure that will last for all time.
Vashtar: Only history will tell that.
Senta: Sire, will he not be remembered?
Vashtar: Yes, he’ll be remembered. The pyramid’ll keep his memory alive. In that he built better than he knew.”
—William Faulkner (1897–1962)
“For the structure that we raise,
Time is with materials filled;
Our to-days and yesterdays
Are the blocks with which we build.”
—Henry Wadsworth Longfellow (1809–1882)
“I’m a Sunday School teacher, and I’ve always known that the structure of law is founded on the Christian ethic that you shall love the Lord your God and your neighbor as yourself—a very high and perfect standard. We all know the fallibility of man, and the contentions in society, as described by Reinhold Niebuhr and many others, don’t permit us to achieve perfection.”
—Jimmy Carter (James Earl Carter, Jr.)