Selection of Window Film
Not all films are suitable for all glass. You must consider the absorptance of the glass and the film, the size of the pane, the thickness of the glass, the construction of the window – is it single pane, insulated glass, treated (with a low-emissivity coating), laminated or toughened.
Advice on the appropriate selection of film for the glass is vital to ensure that the glass does not crack as a result of thermal stress. However, it is possible that a pane of glass may break subsequent to the application of an appropriate film, because the pane has been damaged during the glazing of the window, or as a result of movement of the building or other physical stresses that are not apparent at the time of the application of the film.
Glass may crack subsequent to the application of sign writing or if heavy, thermally efficient drapes are hung close to the glass, particularly if the edges of the glass are damaged.
The chances of glass breakage occurring subsequent to the application of film or sign writing or the hanging of drapes, are very small. However breakage can occur and it is impossible to predict the edge condition of the glass without removing it from the frame – an approach that is not practical.
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“The books for young people say a great deal about the selection of Friends; it is because they really have nothing to say about Friends. They mean associates and confidants merely.”
—Henry David Thoreau (1817–1862)
“Judge Ginsburg’s selection should be a model—chosen on merit and not ideology, despite some naysaying, with little advance publicity. Her treatment could begin to overturn a terrible precedent: that is, that the most terrifying sentence among the accomplished in America has become, “Honey—the White House is on the phone.””
—Anna Quindlen (b. 1952)
“Most near, most dear, most loved and most far,
Under the window where I often found her
Sitting as huge as Asia, seismic with laughter,”
—George Barker (b. 1913)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)