Later Career
In 1764, he became physician to Queen Charlotte. He was elected a Fellow of the Royal Society in 1767 and Professor of Anatomy to the Royal Academy in 1768.
In 1768 he built the famous anatomy theatre and museum in Great Windmill Street, Soho, where the best British anatomists and surgeons of the period, including his brother John, were trained. His greatest work was Anatomia uteri umani gravidi (1774), with plates engraved by Rymsdyk (1730–90), and published by the Baskerville Press. He chose as a model for clear, precise but schematic illustration of anatomic dissections the drawings by Leonardo da Vinci conserved in the Royal Collection at Windsor: Kenneth Clark considered him responsible for the Eighteenth-century rediscovery of Leonardo's drawings in England.
To aid his teaching of dissection, in 1775 Hunter commissioned sculptor Agostino Carlini to make a cast of the flayed but muscular corpse of a recently executed criminal, a smuggler. He was professor of anatomy at the Royal Academy of Arts in London from 1769 until 1772. He was interested in arts, and had strong connections to the artistic world.
In 1770 he built himself a house in Glasgow fully equipped for the practice of his science, and this formed the nucleus of the University of Glasgow's Hunterian Museum and Art Gallery.
It has been alleged that Hunter (and his brother John) were involved with either commissioning the murder or showing a callous disregard for where his corpses came from (and his former tutor William Smellie). The supporting evidence for this theory includes the large number of pregnant corpses Hunter was able to obtain, although Hunter did provide case histories for at least four of the subjects illustrated in The Anatomy of the Gravid Uterus Exhibited in Figures, published in 1774.
Read more about this topic: William Hunter (anatomist)
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