William Forsythe (dancer) - Career

Career

Forsythe was born in New York in 1949, and grew up in Manhasset. He was a great fan of Fred Astaire in his youth. He danced in high school and socially, choreographing for musicals and winning contests in the "mashed potato." He received his first formal dance training at Jacksonville University, Florida, where he studied classical ballet and modern dance. He credits his early teachers in Florida as especially influential: Nolan Dingman, an early company member under George Balanchine, Christa Long, who told him that he was a choreographer, and a Mme. Boscovich, whom he claims first taught him to dance backward. Forsythe later trained at the school of the Joffrey Ballet under scholarship, as well as at the School of American Ballet in New York City and in additional classes with Maggie Black, Finis Jung, Jonathan Watts, Meredith Baylis, William Griffith, Leon Danelian, Mme. Peryaslavec, and Pat Wilde. He briefly joined the Joffrey Ballet in 1971, and was invited by John Cranko to join the Stuttgart Ballet three years later. He produced his first choreography for the Stuttgart Ballet in 1976 as part of a young choreographer's showcase and was subsequently named Resident Choreographer of the ensemble. He held this position until 1981, when he left the Stuttgart company to pursue a career as a freelance choreographer. During these years, he created works for ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York and San Francisco.

In 1983, Forsythe choreographed Gänge, a controversial work subtitled "A piece about ballet," for the Frankfurt State Theater. In spite of the scandalous reception to this work, the Frankfurt theater offered him the position of Ballet Director in 1984. Forsythe directed the Frankfurt Ballet (Ballett Frankfurt) from 1984 until 2004, choreographing such seminal pieces such as Artifact (1984), Die Befragung des Robert Scott (1986) Impressing the Czar (1988), Limb’s Theorem (1990), The Loss of Small Detail (1991), ALIE/N A(C)TION (1992), Eidos : Telos (1995), Endless House (1999), Kammer/ Kammer (2000), and Decreation (2003). After the closure of the Frankfurt Ballet in 2004, Forsythe established The Forsythe Company with the support of the states of Saxony and Hesse, the cities of Dresden and Frankfurt am Main, and private sponsors in a public-private co-operative venture. The Forsythe Company is based at the Bockenheimer Depot in Frankfurt am Main and the Festspielhaus Hellerau in Dresden and also maintains an extensive international touring schedule. Important works created for The Forsythe Company include Three Atmospheric Studies (2005), Human Writes (2005), Heterotopia (2006), and Yes we can't (2008).

In addition, Forsythe has produced and collaborated on numerous installation works, including White Bouncy Castle (1997, in collaboration with Dana Caspersen and Joel Ryan), City of Abstracts (2000), Scattered Crowd (2002), airdrawing|whenever on on on nohow on (2004, collaborating with Peter Welz), and You made me a monster (2005). Installation works by Forsythe have been shown at the Louvre Museum, Venice Biennale, Artangel in London, Creative Time in New York, the Renaissance Society in Chicago, and other prominent locations. His short film Solo was presented at the 1997 Whitney Biennial. In 2006, a major exhibition of his performance, film and installation work was presented at the Pinakothek der Moderne in Munich.

Forsythe's dance works have been performed by, among others: The Kirov Ballet; The New York City Ballet; The San Francisco Ballet; The National Ballet of Canada; The Royal Ballet, Covent Garden; The Paris Opera Ballet; The Joffrey Ballet; The Bolshoi Ballet; and The Royal Ballet of Flanders.