William Allan (painter) - Works

Works

  • Russian Peasants keeping their Holiday (1809)
  • Bashkirs (1814, Hermitage)
  • Frontier Guard (1814, Hermitage)
  • The Sale of Circassian Captives to a Turkish Bashaw (1816)
  • Tartar Robbers dividing Spoil ( 1817, Tate Gallery)
  • John Knox admonishing Mary, Queen of Scots (1823)
  • The Regent Murray shot by Hamilton of Bothwellhaugh (1825, Woburn Abbey)
  • The Black Dwarf (1827, National Gallery of Scotland)
  • Lord Byron in a Turkish Fisherman's House after swimming across the Hellespont (1831)
  • Slave Market (1838, National Gallery of Scotland)
  • The Signing of the National Covenant in Greyfriars Kirkyard (Edinburgh City Arts Centre)
  • The Recovery of the stolen Child (1841, Aberdeen, Art Gallery)
  • Battle of Prestonpans (1842, Private Collection)
  • Peter the Great teaching his Subjects the Art of Shipbuilding (1845, formerly in the Winter Palace of the Hermitage, now lost)
  • Waterloo, June 18, 1815 (1843, His Grace Arthur Wellesley, 8th Duke of Wellington, Apsley House)
  • The Duke of Wellington - en route to Quatre Bras (1844, Private Collection)
  • The Battle of Waterloo (1845, Royal Military Academy Sandhurst)
  • Battle of Bannockburn (Royal Scottish Academy, on loan to the Wallace Monument, Stirling)
  • Heroism and Humanity (Robert the Bruce with soldiers) (1840 Kelvingrove Museum)

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    One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
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