Selected Works
- 1651: Ruth and Naomi on the road to Bethlehem - Ashmolean Museum, Oxford, England
- 1652: Self Portrait of the Artist
- 1653: Portrait of a Man - (Metropolitan Museum of Art, New York City);
- 1653: Portrait of a Woman - Museum Bredius, The Hague;
- 1653:The Philosopher - National Gallery of Art, Washington, DC;
- c.1654: Portrait of a Young Woman - The Wallace Collection, London;
- 1654: Portrait of a Young Woman with her Hands Folded on a Book - National Gallery, London, England;
- 1654: Portrait of an Officer in a Red Beret - David Findlay Galleries, New York City
- 1654: Bathsheba - Louvre, Paris;
- c.1655: Portrait d’homme feuilletant un livre, Louvre, Paris;
- 1655: The Unmerciful Servant - The Wallace Collection, London, England;
- 1655: "Flute Player" - Private Collection, Germany
- 1655: Bust of man wearing a large-brimmed hat - (c.1655), National Gallery of Art, Dublin, Ireland;
- c.1656 Young Man with a Flute - Scandinavia: Private Collection
- c.1657: Old Woman Teaching a Child - Hermitage Museum, St. Petersburg, Russia
- c.1658: Boy with a Recorder - Galleria Palatina, Florence, Italy;
- c.1659 L'écaillère - Louvre, Paris;
- c.1659: Mercury and Argus: Staatliche Kunstsammlungen – Gemäldegalerie Alte Meister, Dresden, Germany;
- 1659: St. Matthew and the Angel - North Carolina Museum of Art, Raleigh, North Carolina
- c.1659: Abraham Casting Out Hagar & Ishmael - Guilford College Collection, Greensboro, North Carolina
- c.1650: Self Portrait of the Artist as John the Evangelist, Bader Collection, Milwaukee;
Other paintings, date and owner to be determined:
- Portrait d'une dame à sa fenêtre
- Young Man, Half-Length Seated, in a Red Jacket and Broad-Brimmed Cap
- Saint-John the Evangelist in a Landscape
- A Young Woman, Bust Length, Wearing Traditional Costume
- A soldier, buckling his belt, a helmet on a table nearby
- Bildnis eines Geographen mit Zirkel, Winkelmass und Globus (attributed to Willem Drost)
Read more about this topic: Willem Drost
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Is reserved for the bed of a few selected seed.”
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“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
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