Works
Willem was a contemporary and comrade of Dirck Hals, akin to him in pictorial touch and technical execution. But Heda was more careful and finished than Hals, showing considerable skill and taste in the arrangement and colouring of his chased cups, beakers and tankards of both precious and inferior metals. Heda was also associated with the Haarlem artist and fellow still life painter, Floris van Dyck. In his work, Harlemias, the Dutch poet Theodorus Schrevelius acknowledged exceptional skill at his genre of painting. Heda and his contemporary and fellow still life painter, Floris van Dyck, were “held in high esteem by the community as the best at painting their genre.”
As a painter of "ontbijt" or breakfast pieces, he is often compared to his contemporary Pieter Claesz. One of Heda's early masterpieces, dated 1623 and in Alte Pinakothek, Munich, is as homely as a later one of 1651 in the Liechtenstein Gallery at Vienna. A more luxurious repast is a "Luncheon" in the Augsburg Gallery, dated 1644.
Read more about this topic: Willem Claeszoon Heda
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“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
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